A good editorial portrait is more than just a pretty photo. It is an image that tells something. A portrait that not only suits the person, but also the story it is part of. Think of a writer in a newspaper interview, an entrepreneur in a trade magazine, or a speaker in a background article. Editorial portraits are images with a function - they support the narrative, give face to a subject and make the story stronger.
Looking for a photographer for an editorial portrait to accompany an interview, profile or background article? Then you want someone who switches quickly, understands what an editorial needs and senses with few words what the image needs to say. Someone who works independently, respects deadlines and delivers a portrait that is immediately usable - both in print and online.
Always in tune with you
For editorial portraits, I often work with journalists, copywriters, final editors or designers. We briefly discuss what the story requires - atmosphere, look, use - and then choose a setting that is right. Location, light, space: it has to be functional and powerful. Sometimes that means outside in the rain, sometimes five minutes in a busy office. It's all possible.
I photograph quickly, with focus and without fuss. With room for spontaneous moments, but always with the final image in my head. The result is an editorial portrait that hits exactly the right tone.
Natural and with character
No stiff poses. No perfect smiles. But an image that stays with you. It's about humanity, calmness and the right look. We do not make an advertising photo, but an image that is believable. Real. Often in a few minutes, sometimes with a bit more time. And always with the story in mind.
Sometimes one image is enough. Sometimes a short series, so the image editors can choose. I always deliver in high resolution, in colour and black-and-white, with enough space for cropping. And I take design, page space and captions into account. Everything to enhance your publication.
Why work with me?
Because I know how it works. You don't have to explain to me what a spread is, or why a portrait should preferably be on the right. Why a photo should have space for text or the title. I think along, work fast and deliver reliably. I have experience with photography for interviews, background stories, books and columns. And I know when to go ahead and when it is better to wait.
My background as an entrepreneur also helps: I understand communication, think solution-oriented and work independently. I deliver within the agreed deadline, take planning into account and am flexible when needed. And: I keep it light. No fuss. But quality.
Portraits for journalists and copywriters
Whether you are making an interview for a national newspaper, writing a profile for a trade magazine or looking for an author for a portrait to accompany your essay - I make sure it's right. Even if you are being portrayed yourself. Because you collaborate on an article, because you are a speaker or an author. A good editorial portrait helps your story progress.
I enjoy working for newspapers, magazines, publishers, journalistic platforms, communication agencies and independent copywriters. You can call me for a single portrait, or preferably for a recurring collaboration. I am happy to think along with you.
- Feel free to send me a message via my contact page. Then we plan the portrait, without detours.
- Want to see more of my work? Then check out the portrait photography page For examples.
A good editorial portrait is sharp, apt and supportive. It reinforces what has been written - and sometimes it even says more than a thousand words.
Looking for an editorial portrait yourself because you are about to be interviewed or featured in a newspaper?
Maybe you don't work at an editorial house yourself, but you will soon be portrayed for a publication. For example, because you have written a book, are giving a lecture, or are sharing your story in an interview. Then you want your portrait to be as strong as the text.
In that case, an editorial portrait is one that suits the tone of the article. Not too posed, but professional. Honest, powerful, and recognisable. Often on location - at your home, workplace or somewhere that says something about you.
I make sure you feel comfortable, give instructions where necessary and take the technical part completely off your hands. The result is a portrait you can send to editors with confidence.
Want to know how it works, what it costs and whether we can work together? Send me a message, then we'll see what fits.